Independent Cinema for Everyone

Kihlberg & Henry bring two films to Plymouth Arts Centre: Pleasure Through Drowning is the artists' attempt to escape from a society over-saturated with moving image, whilst This Building, This Breath is a 15-minute hybrid of live performance, instal...

Kelly Best’s site specific drawing installations respond to the architecture of the galleries they inhabit, expanding beyond the flat surface and in some cases creating three dimensional optical illusions.

PAC Home members Josie Cockram and Stephen Smith have been in residence in the Batter Street studio for 12 weeks, developing new work with the support of PAC staff and PAC Home members through studio visits and peer critique.

Steven Paige, a Plymouth-based artist, employs reenactment and performance to examine relationships between film, instruction, leisure and individuality.

The First Humans looks at contemporary art with a prehistoric feel. Often incorporating synthetic colours and materials and a sci-fi look, many of the artworks are spoof or tongue-in-cheek.

Working across visual art, performance and fiction Tim Etchells’ work plays with language, place and presence.

Amidst psychotropic lighting and event-derived revelations, Crowd.Control revisits Plymouth’s 1990s rave scene.

Ali Northcott works with moving image, photography, installation and live performance.

Lizzie Ridout and Elizabeth Masterton have collaborated as Tanks and Tablecloths since 2004. They set out to map the shared terrain of the military and the domestic, exploring the places - notional and literal - where home and war meet.

Everything Made Bronze is a study of the way that light burnishes objects and magnifies form.